Installation shot of ‘The Petunia Carnage’ at FOTO WIEN Festival.

Installation shot of ‘The Petunia Carnage’ at FOTO WIEN Festival.
Installation shots of my solo exhibition ‘Middle Class Utopia’ at Galerie Le Carré D’Art in Chartres de Bretagne, France. Photo by Maren Jeleff.
Installation shots of the group exhibition ‘Gut gespielt – der Mensch und sein Avatar’ at Alte Fabrik in Rapperswil, Switzerland, curated by Josiane Imhasly. Photos by Peter Baracchi.
‘Gestochen Scharf’, a group exhibition about tattoos in contemporary art, took place at Museum Villa Rot in Burgrieden-Rot, Germany. Amongst others, like Vim Delvoye, Valie Export etc., some images of ‘Fürs Leben gezeichnet’ were exhibited.
‘Golden days before they end’, the winner of last years Cortona on the move Award, will be on display at the 2017 edition of the festival.
‘Golden Days before they end’ was on display at a public subway station in Singapore, which was part of the exhibition of SIPF – Singapore International Photo Festival.
The book ‘Dust’ was part of the photo book exhibition at Athens Photo Festival in Benaki Museum, Athens, Greece.
Early Birds, an art clubbing format at Kunsthalle Wien, featured images of ‘One Third’ and ‘Skeletons in the Closet’.
Vestigios, a group exhibition on food and sustainability, was on display at the Galeria Rabieh in Sao Paolo, Brazil.
‘One Third’ has been exhibited in the European Economic and Social Comittee in Brussells, Belgium.
The group show ‘Alles Maskerade’ at Museum Villa Rot was focusing on costumes and alter egos.
The EIKON Schaufenster, a small exhibition space of Austrian photo magazine EIKON, located at the Museumsquartier Vienna, presented an installation based on ‘One Third’.